Wayang Kulit Gagrag Banyumasan
Wayang Kulit Gagrag Banyumasan is one of the puppetry styles in
Java, better known as Pakeliran. Pakeliran includes many elements such as
wayang plays (presentation of story lines and their meanings), sabet (all
movements of puppets), catur/speech (narration and conversation), karawitan (gendhing
of the rest and stage properties).
Gagrag Banyumasan Pakeliran, has a strong populist nuance as the
character of its people, that is honest and open. Gagrag Banyumasan is
different from other regional populist styles which are mostly extinct and
affected by Keraton puppetry styles.
Gagrag Banyumasan Pedalangan has gained influence and has an order
or standard from the Surakarta and Yogyakarta puppetry arts, but Banyumasan
gagrag has its own characteristics with the appearance of Bawor
characterizations, Kembang Lepang and Gendhing Banyumasan songs. The art
of Gagrag Banyumasan puppetry was then standardized and preserved by the
Banyumas puppet expert in the Ganasidi Society Gathering which was held in
Kawedanan Bukateja on April 21, 1979.
The development of Banyumasan puppetry cannot be separated from
the influence of Hinduism, with the establishment of Hindu Mataram with
Ramayana notes until the existence of Gathutkacasraya notes by Mpu Panuluh and
Wayang Purwa, just like the development of other puppetry arts in the country.
The Gagrag Banyumasan Pakeliran was also strongly influenced by
Gagrag Mataram (Surakarta and Yogyakarta), especially through the southern
coastal area, and later came to be known as the Banyumas Paganiran pedagogue or
Gagrag Kidul Gunung. Its influence can be known until the range of 1920, and
continues to grow through the mastermind of the Gombong breed, namely Ki Cerma
to Ki Dalang Menganti.
Meanwhile, the Banyumas front area, from Purbalingga and then
along the Serayu River, heading to the West has its own setting and is known as
Gagrag Lor Gunung, as it develops through the puppeteer of the Misugihan
including Ki Dalang Tutur, and continues to grow until the Ki Dalang Sugih era.
The distinctive feature of Gagrag Banyumasan puppets is that the
narrative further clarifies the role of the small people expressed in figures
of punakawan such as Bawor Dadi Ratu, Petruk Krama and others. In addition,
wayang Gagrag Banyumasan emphasizes the role of young people in solving cases
and problems. The story of "Srikandi Mbarang Lengger" which is a
canal of the "Srenggini Takon Rama" is one concrete example that the
role of youth is like Antasena and Wisanggeni to be very central.
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