Wayang Kulit Gagrag Banyumasan



Wayang Kulit Gagrag Banyumasan is one of the puppetry styles in Java, better known as Pakeliran. Pakeliran includes many elements such as wayang plays (presentation of story lines and their meanings), sabet (all movements of puppets), catur/speech (narration and conversation), karawitan (gendhing of the rest and stage properties).

Gagrag Banyumasan Pakeliran, has a strong populist nuance as the character of its people, that is honest and open. Gagrag Banyumasan is different from other regional populist styles which are mostly extinct and affected by Keraton puppetry styles.

Gagrag Banyumasan Pedalangan has gained influence and has an order or standard from the Surakarta and Yogyakarta puppetry arts, but Banyumasan gagrag has its own characteristics with the appearance of Bawor characterizations, Kembang Lepang and Gendhing Banyumasan songs. The art of Gagrag Banyumasan puppetry was then standardized and preserved by the Banyumas puppet expert in the Ganasidi Society Gathering which was held in Kawedanan Bukateja on April 21, 1979.

The development of Banyumasan puppetry cannot be separated from the influence of Hinduism, with the establishment of Hindu Mataram with Ramayana notes until the existence of Gathutkacasraya notes by Mpu Panuluh and Wayang Purwa, just like the development of other puppetry arts in the country.

The Gagrag Banyumasan Pakeliran was also strongly influenced by Gagrag Mataram (Surakarta and Yogyakarta), especially through the southern coastal area, and later came to be known as the Banyumas Paganiran pedagogue or Gagrag Kidul Gunung. Its influence can be known until the range of 1920, and continues to grow through the mastermind of the Gombong breed, namely Ki Cerma to Ki Dalang Menganti.

Meanwhile, the Banyumas front area, from Purbalingga and then along the Serayu River, heading to the West has its own setting and is known as Gagrag Lor Gunung, as it develops through the puppeteer of the Misugihan including Ki Dalang Tutur, and continues to grow until the Ki Dalang Sugih era.

The distinctive feature of Gagrag Banyumasan puppets is that the narrative further clarifies the role of the small people expressed in figures of punakawan such as Bawor Dadi Ratu, Petruk Krama and others. In addition, wayang Gagrag Banyumasan emphasizes the role of young people in solving cases and problems. The story of "Srikandi Mbarang Lengger" which is a canal of the "Srenggini Takon Rama" is one concrete example that the role of youth is like Antasena and Wisanggeni to be very central.

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